can be perceived on the basis of the employed statistical analysis. Although all texts belong to the category of written texts, clear stylistic registers, different degrees of vernacularism, conversationalism etc.
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The purpose of the paper is to establish a system of linguistic categories which can be employed to test the stylistic register of Chinese historical writing.
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Besides a statistical analysis of function words, the employment of poetic speech as a means of stylistic distinction is. In this paper the distinction of stylistic registers in Chinese historical writing from the Late Archaic to the Early Medieval periods is at issue on the basis of a statistical analysis of function words in four representative Late Archaic and Early Middle Chinese texts.
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The study has implications for the theory of feminism and literary criticisms. The study revealed that cultural practices such as polygamy, female genital mutilation and sexual abuse facilitate the abuse, subjugation and oppression of women in the novels under study.
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It also examines the steps taken by the women to free themselves from the ‚chains‛ of male domination and oppression. culture which helps to subordinate women as highlighted in Nawal El Saadawi's A Woman at Point Zero (1983), Buchi Emecheta's The Joys of Motherhood (1979), and Amma Darko's Beyond the Horizon (1995). Using the radical feminist approach, the present paper attempts an exploration of patriarchy as an aspect of. The continuous subordination and suppression of women are further aggravated by traditions, cultural beliefs and religions of most societies which favor patriarchy. Since the dawn of time, women generally have had fewer legal rights and status in society than their male counterparts. The multiaspectual analysis helped to discover that the selection of a certain variant of prepositions pozadi / pozad', vperedi / vpredi, poseredi / posredi, vokrug / vkrug, vsled / vosled depends on the morphological, syntactical, semantic, stylistic, rhythmical criteria, namely the part of speech of the governed word, the syntactical structure and semantic construction into which a certain preposition is included, stylistic markedness of the context, and the poetic metre requirements. Pushkin to be the starting period in the establishment of the modern Russian literary language on the other hand, the research opens an opportunity to trace vital changes in the language system within two centuries. Reference to the language of this writer as the material of linguistic studies, on one hand, may be explained by recognition of the epoch of A.S. The purpose of this article is to analyze and define the basic criteria of selection among the variants of derivative prepositions in the text of A.S. It is stated that in the context of the suggested in the native linguistics criteria of qualification of a certain lexemes as a non-derivative or derivative preposition (such as derivative, syntactical and morphological features) the linguistic conditions of differentiation of variants of derivative prepositions. The article considers the issue of variability among derivative preposition forms.
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In this write up, the value of the game considers the lexical choices in the poem "The Road Not Taken‛ by Robert Frost in the following categories: nouns, pronouns, adjectives, verbs, lexical categories such as synonymy, antonymy, contradiction and their significance or effects in the poem. Poets, particularly modern ones, have successfully freed themselves from constraints of what is so called ‚poetic language (Sharma, 2009: 31). Each register has its own characteristics style with certain lexical and grammatical choices. A piece of work cannot be properly understood without a thorough knowledge of the language, which is its medium of expression. It seeks to account for the interpretative effects of a text through close study of its linguistic detail, such as syntactic structuring, semantic deviation, deixis, modality, etc. Stylistics is the study of style of language in literature. This paper attempts to analyse the Lexical Choices in Robert Frost's The Road Not Taken poem from the perspectives of stylistics.